![[CREDIT: Susanna Jackson] Mauro Hantman as Prospero appearing in colorful costume on one of the dazzling sets of Trinity's 'La Tempestad.'](https://e8dgfhu6pow.exactdn.com/wp-content/uploads/2025/04/Trinity-La-Tempestad-1-771x515.jpg?strip=all&lossy=1&ssl=1)
![[CREDIT: Susanna Jackson] Alison Russo as Antonio and Rudy Cabrera as Sebastian in Trinity's 'La Tempestad.'](https://e8dgfhu6pow.exactdn.com/wp-content/uploads/2025/04/Trinity-La-Tempestad-3-336x225.jpg?strip=all&lossy=1&ssl=1)
![[CREDIT: Susanna Jackson] Alison Russo as Antonio and Rudy Cabrera as Sebastian in Trinity's 'La Tempestad.'](https://e8dgfhu6pow.exactdn.com/wp-content/uploads/2025/04/Trinity-La-Tempestad-3-336x225.jpg?strip=all&lossy=1&ssl=1)
PROVIDENCE, RI — Trinity Repertory Firm’s “La Tempestad,” a bilingual adaptation of Shakespeare’s “The Tempest,” dazzled on design and mirth making, falling quick on translation.
Mauro Hantman is Prospero, the exiled Duke of Milan, who has been shipwrecked together with his lovely daughter Miranda (Lily Kops) on an island in the midst of nowhere. They’re joined by the spirit Ariel (a scene stealing Alexander Crespo-Rosario in heavy make-up) and Caliban (Gloria Vivica Benavides), a toddler of the witch Sycorax. Ariel and Caliban are enslaved by Prospero to forged spells on individuals.
Prospero’s brother Antonio (Alison Russo) betrayed him and took his title. He will get shipwrecked on the island too (what a coincidence!), together with the King of Naples (a subdued Invoice Mootos), his son Ferdinand (Justin Mitchell), and a complete batch of advisors and servants.
Ferdinand falls below a spell forged by Prospero and romances Miranda.
Did I point out this can be a comedy? The collection of betrayals and amorous affairs and deceptions are taken straight out of Shakespeare’s different classics. The distinction is the characters don’t find yourself stabbing one another to loss of life on the finish.
Yvonne Miranda’s costumes are attractive. Prospero is launched sporting a coat made up of what resembles 50 strips from varied coloured shirts, all taped collectively.
Trinity Repertory Firm has offered several top flight Shakespeare productions prior to now, together with “Julius Caesar,” “Macbeth,” and “A Midsummer Night time’s Dream.” Sadly “La Tempestad, doesn’t attain these heights. For some motive, the characters and their dilemmas didn’t have interaction me or maintain my curiosity. And that’s a disgrace, as a result of clearly quite a lot of effort and time went into making this present.
That is an exceptionally handsome present. Dahlia Al-Habieli’s scenic design is dazzling, making a mystical island paradise for the characters to inhabit.
Yvonne Miranda’s costumes are attractive. Prospero is launched sporting a coat made up of what resembles 50 strips from varied coloured shirts, all taped collectively.
Carolina Ortiz Herrera’s majestic lighting enhances the motion completely. John Flores’ sound design is beautiful, particularly the sounds of roaring thunder emanating from the skies.
Additionally “La Tempestad” earned a lot laughter from a large portion of the viewers, maybe as a result of exuberance of the performers.
‘La Tempestad’ Performances Competent, In need of Potential
![[CREDIT: Susanna Jackson] Trinculo (Adrian Peguero), the King’s jester, and Stephano (Marcel Mascaro), the King’s butler, on the beach where they will soon encounter Caliban in Trinity's 'La Tempestad.'](https://e8dgfhu6pow.exactdn.com/wp-content/uploads/2025/04/Trinity-La-Tempestad-2.jpg?strip=all&lossy=1&ssl=1)
![[CREDIT: Susanna Jackson] Trinculo (Adrian Peguero), the King’s jester, and Stephano (Marcel Mascaro), the King’s butler, on the beach where they will soon encounter Caliban in Trinity's 'La Tempestad.'](https://e8dgfhu6pow.exactdn.com/wp-content/uploads/2025/04/Trinity-La-Tempestad-2.jpg?strip=all&lossy=1&ssl=1)
Trinculo (Adrian Peguero), the King’s jester, and Stephano (Marcel Mascaro), the King’s butler, encounter Caliban on the seaside. Stephano and Trinculo consider she’s a monster. This sequence goes on and on, main nowhere.
The performances are all superb, however there’s nothing particular right here, as they appear to fall in need of their potential as demonstrated in earlier productions. As an illustration, Hantman is a good actor, however Prospero spends massive chunks of time off-stage. It’s inconceivable to have a lot of a rooting curiosity in him.
One other Trinity Rep. veteran, Anne Scurria, brings wit and vitality to the position of Gonzalo, the King’s advisor. However it’s a frivolous character with little dramatic influence. Russo (“A Doll’s Home Half 2”), one other extremely gifted performer, can also be underutilized right here. Antonio isn’t offered sufficient depth by the script.
A lavish celebration scene that includes jazzy music because the characters all dance round in a circle, nevertheless, is exuberant and enjoyable to look at.
‘La Tempestad’ Translations Distract
The manufacturing was tailored and translated by Orlando Hernandez, Tatyana-Marie Carlo, and Leandro Castro and directed by Christie Vela. The characters communicate in English and Spanish. The translations are projected on a wall above the stage. This proved distracting, as a result of the viewers finally ends up trying away from the performers to know what they’re saying.
A significant miscalculation was to have the characters alternate talking their dialogue in Spanish and English. A phrase of recommendation for anybody planning one other manufacturing of this present: simply select one language and keep it up.
For me, one thing was misplaced in translation.
La Tempestad runs by way of April 27. Trinity Repertory Firm, 201 Washington Road, Windfall. Run time is 2 hours quarter-hour together with intermission. For tickets, name 401-351-4242 or go to www.trinityrep.com.